The Oreshnik missile that struck Lviv carried a political payload.
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The Oreshnik missile that struck Lviv carried a political payload.
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The EU’s visa crackdown forces an uncomfortable reckoning for the country’s middle class.
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When Trump sees a deal, Putin sees submission.
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Underestimating the Russian leader is dangerous.
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Trump is turning out to be a liability for the Kremlin.
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My boss in the Kremlin was Putin’s version of the American ideologue.
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How the Kremlin Markets Its War Like Disney and Coca-Cola. (Sponsored by the Poynter Fellowship for Journalism)
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How the Kremlin Markets Its War Like Disney and Coca-Cola.
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How the Kremlin Markets Its War Like Disney and Coca-Cola. (Sponsored by the Poynter Fellowship for Journalism)
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How the Kremlin Markets Its War Like Disney and Coca-Cola.
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How the Kremlin Markets Its War Like Disney and Coca-Cola. (Sponsored by the Poynter Fellowship for Journalism)
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A seminar for KSE students in Kyiv on how to fight the Kremlin in the entertainment propaganda domain.
How the Kremlin Markets Its War Like Disney and Coca-Cola
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I was born in the USSR, grew up in Boston, and spent nearly two decades in Moscow working inside Russian media and the Kremlin’s propaganda machine before returning to the U.S.
I graduated from St. Petersburg State University—Putin’s and Ayn Rand’s alma mater—where I studied History and International Relations. In Russia, I published magazines that slipped Kremlin talking points between ads for Rolex watches, ran campaigns for global consumer brands, handled PR for oligarchs, and produced political talk shows that staged opposition while reinforcing the state’s line. It was media—but it was also propaganda as a commercial product.
Now based in New York, I write and advise institutions on authoritarian systems, information warfare, and the geopolitical risks that emerge from them. My work has appeared in The Atlantic, Rolling Stone, Air Mail, and New Lines.
My memoir, The Propagandist, is out in 2026.
Based in New York • Available worldwide